该建筑位于大南坡大队部院内，设计原型为三开间带前后廊的豫北民居，有一大一小两间茶室。建筑并无正面性(frontality)。从”正面”看，位于左右大小茶室之间的居中开间没有实体存在，留给了场地内的一对杨树。观察者的目光，穿过树干“撑开”的空间，直抵远方。进一步趋近这个空间，使它充满眼帘时，观察者会感受到看似画面的浅空间，实际具有左右墙面围合而成的深度。两棵杨树不仅在立面上将空间打开，也在纵深方向上（即平面上），“撑”开了一方小小的庭院。观察者踏入这个庭院时，树干会引导他向上寻找被隐藏的树冠，他将发现一个既熟悉又陌生的景象：庭院上空被加高的女儿墙环绕，树冠被强化的透视灭点推向了更远的天空。这时，观察者可能意识到他正位于平面茶室的中央，但却又是前后和上方都被透明性包裹的室外。不可避免地，他会注意到包裹空间左右墙面所留下的“缝隙”——那是东西方向上被雨棚和抬高地平“框”出来的、同样不受阻碍穿透建筑物的柯林·罗(Colin Rowe)式透明性空间。它一边将西侧遥远的地平线向观察者拉近，另一边又将阳光穿透的茶室推出，迎向地平线。（河南，2020）（文字：梁井宇。摄影：朱锐，左靖工作室，场域建筑）

The building is located at the Village Center in Da Nan Po. The architectural prototype of the building is a Yubei traditional vernacular house with three bays and front and back corridors, which contains a large and a small tea room. The building lacks frontality. When viewed from the “front”, the central bay between the two tea rooms appears non-existent, leaving space for a pair of poplar trees in the courtyard. Through the space “opened up” by the trunks, the observer’s gaze can reach far away. Approaching this space and making it full of sight, the observer will feel a shallow space that seems like a picture but actually has depth enclosed by the left and right walls. The two poplar trees not only open up the space on the elevation, but also in the vertical direction (i.e., on the plane), “supporting” a small courtyard. When the observer steps into this courtyard, the trunks will guide him to look up and search for the hidden treetops, and he will find a familiar yet strange scene: the sky above the courtyard is surrounded by an elevated parapet, and the intensified perspective vanishing point of the treetops pushes towards the distant sky. At this point, the observer may realize that he is in the center of the flat tea room but is outside, enclosed by transparency on the front, back, and top. Inevitably, he will notice the “cracks” left by the east-west transparent space, which is framed by the rain shed and elevated ground plane, and is another Colin Rowe-style transparency space that can penetrate the building unimpeded. On one side, it brings the western horizon closer to the observer, and on the other side, it pushes the tea room out, welcoming the horizon with sunlight. (Henan, 2020) ( Text by: Jingyu Liang, Photo: Zhu Rui, Zuo Jing Studio, Approach Architecture Studio)